Wednesday, 16 March 2011

The Middle Boop Blog is Dead! Long Live Middle Boop Mag

As some of you may already know, we here at Middle Boop hq have been plotting and scheming, developing the new site Middle Boop Mag. With a sleek new look allowing the you
to access all of our information easily and more of an emphasis on news, honest, quality reviews and art, we hope to offer our readership something a little different.

Thanks for reading and being a part of our humble blog over the last year and a half. The new site is now live so have a look, check things out and let us know what you think!



Saturday, 5 March 2011

PJ Harvey - 'Let England Shake' (Universal/Island)

This is a peachy album, I like it. Basically PJ Harvey has recorded acoustic piano music with a few bars, instruments and some drums thrown in. In regards to the title i’d say England only shakes because it's pissed all the time but Let England Shake has a melancholic feeling to it with some of the chord changes. I wouldn’t say that’s very unusual for this type of music. Not an awful lot I can say, but it's nice.

I had it on shuffle by accident, ‘The Glorious Land’ started and I liked this from the start.
It made me feel like summer was coming, but I'm not sure how the military horn fits in, and although it’s not a very military sounding song, it’s an all round good track.

"The last Living Rose", this one made me thing of "Wild Thing", only less heavy. I was caught out by the sax that kicks in, which I wasn’t expecting. It also slightly reminds me of MGMT, in a very nice way. "The Words That Maketh Murder" follows a similar style.

"Bitter Branches" came on next, strong sound for an acoustic album; PJ Harvey has a booming voice aided by a shit load of reverb I might add.
This one made me drum along on my laptop, I felt like it should kick in with distorted guitars and big drums but it ended instead, fairly short at 2:29.

Many of the songs are similar, I am only picking up on the ones I think have something good to offer, "Written On The Forehead" is one of them.
Imagine lying down in a field with some tinnies and some friends on a nice summer’s day, and then getting horrendously drunk and burning down a house.

I like this album, not something I would normally listen to but it’s definitely worth your time and money. I can imagine listening to it with a massive hangover.
There we have it then, buy this album and add it to your hangover playlist; I guarantee you will feel better after. I know this for obvious reasons.

Words: Tim Bascombe

Friday, 4 March 2011

British Sea Power @ The Forum 27/02/2011

On Sunday I had the pleasure of seeing a band who probably rank amongst the top of the ‘bands I’ve been to see live an unhealthy amount’ category. I think this may have been the 7th (or possibly 8th) time I’ve been to see them put on a live show of some form, whether it be their own intimate gig, at a festival or playing the local sweaty student night club.

Previous shows have been nothing short of spectacular, combining onstage theatrics such as members sitting on one another’s shoulders whilst jousting a giant bear named Ursula with their guitars, to some musical accompaniment from the London Bulgarian Choir.

Sunday’s show at The Forum didn’t have any of the above. Aside from a large screen which occasionally had some imagery of wild life (you guessed it - mainly birds) to accompany certain tracks, plus the usual spattering of onstage foliage, there were no gimmicks or cheap thrills. This is by no means a criticism, it’s just after all these years I’ve been to British Sea Power’s shows, I’ve come to expect a unique factor to be present, be it musically related or aesthetically pleasing. I guess that’s my fault for having certain expectations.

The set itself was predominately influenced by tracks from their most recent album Valhalla Dancehall, which encompassed approximately one third of the playlist. This worked just fine and all the new tracks sounded great live, however in all honesty I couldn’t quite get into the live rendition of ‘Living Is So Easy’. It just didn't seem to translate as well live as it does on record which is a great shame yet inevitable, what with it being the least traditional style on the new record, mainly revolving around keyboards rather than the usual guitars.

All the previous albums aside from Man of Aran got a look in at some point throughout the night, with a selection of crowd favourites such as Remember Me, It Ended On An Oily Stage and No Lucifer being well received by an increasingly elevated audience. Sadly the usual climactic epic prog rock closer ‘Lately’ from debut album ‘The Decline of…’ didn’t get a look in, which I have fond memories of deafening me back in 2008.

I guess the natural progression of a band releasing more and more albums will inevitably lead to the exclusion of certain tracks from setlists, especially when promoting a new album. All in all, a solid set from a band proving to be increasingly adept, and apparently, more mature. Some mild disappointment on my behalf from the unusual lack of showmanship. Maybe that ship has sailed.

Words: Neil Phillips

Photo: Hamish Bredin

Thursday, 3 March 2011

Wednesday, 2 March 2011

Trevor Jackson 'Nowhere' Opens 3rd March at KK Outlet

One of the most infamous designers in modern music design, Trevor Jackson opens his new show tomorrow at the fantastic KK Outlet. 'Nowhere' features his design and photographic work. This is one not to miss.

KK Outlet, 42 Hoxton Square, N1 6PB

ATP Nightmare Before Christmas curated by Caribou, Les Savy Fav & Battles

Are you excited? Are you scared? Are you feeling festive?

ATP have announced the curators of their creepy Christmas fest that is Nightmare Before Christmas, held over the weekend of December 9th-11th at Butlins Holiday Centre, in Minehead. The three acts headlining and picking the bands for the event are Battles, Caribou and Les Savy Fav.

Each band will take a day and select 14 acts to storm the stage. Les Savy Fav start on the 9th, Battles take the 10th and Caribou round out this motley trio on the 11th.

Tickets will be on sale from Thursday 3rd March for £170 room only and £180 for self catering.

Girls Names - 'Séance on a Wet Afternoon' Video

GIRLS NAMES - Séance on a Wet Afternoon from Girls Names on Vimeo.

Cold Cave announce European tour and free Download

To mark the release of their third album Cherish The Light Years (out April 4th) Cold Cave have announced a handful of European shows.

29th - Start The Bus, Bristol
30th - Brudenell Social Club, Leeds
31st - Stereo, Glasgow
1st - Ruby Lounge, Manchester
2nd - Ifor Bach, Cardiff
5th - The Lexington, London (The Quietus Night)
6th - De Kreun, Kortrijk
9th - Jack Daniels, Barcelona

Tuesday, 1 March 2011

Smith Westerns tour the UK with The Vaccines

On the run up to the release of their album 'Dye It Blonde' out on 2nd May, Smith Westerns will be touring with The Vaccines on the following dates.

Sunday 3rd April - Manchester, Ritz
Monday 4th April - Bristol, Anson Rooms
Tuesday 5th April - Glasgow, ABC
Thursday 7th April - London, Electric Ballroom
Friday 8th April - London, Electric Ballroom
Saturday 9th April - Birmingham, HMV Institute

Saturday, 26 February 2011

Oceansize split up

The band regretfully announced this news on their website. But like they said, check out some of their other musical projects. Cos they're awesome!

Friday, 25 February 2011

TV on the Radio unleash new track 'Will Do'

TV On The Radio - "Will Do" by Interscope Records

Esben & the Witch Interview "It Comes Down To Conviction."

Having recently reviewed their outstanding album, I was particularly excited to interview fellow Brightonians Esben And The Witch. I met band members Rachel Davies, Daniel Copeman and Thomas Fisher over a glass of wine to find out a bit more about them.

Tegan MB: I've been aware of you guys for just over a year now. Is it fair to say you're a new band? There was a lot of press last year but how long have you actually been around for?
Rachel: We've been together for about two and a half years, three years now.
Daniel: Rachel's been saying two and a half years for about half a year now.

Tegan MB: Has the band always had the same line-up?
Thomas: I met Daniel about three years ago when we first started out; we just spent afternoons writing songs, working on drum loops with a drum machine and then Rachel joined us about two months after that. We always knew we wanted to add a vocal element to what we were doing and we went from there really. Daniel organised a gig for us fairly soon after that at the Freebutt.

Tegan MB: How do you feel about the Freebutt closing down?
Rachel: We're really sad about it; it gave a lot of people a really good opportunity, especially for bands like us.
Thomas: We played a lot of support shows there while figuring out what songs were good, what ideas were good, and how we wanted to go forward. We couldn't have done that without the support of a venue like that. It's a real shame.
Daniel: It's sad that for bands like us, just starting up, there won't be that kind of support.

Tegan MB: Even though the atmosphere of your music is quite otherworldly in many ways, do you think that there's anything about Brighton that's influenced or rooted your aesthetic?
Thomas: Geographically maybe, especially at this time of year: the sea, the cliffs, the downs. It's quite a spectacular place at times. All of us enjoy experiencing that, so I think that kind of infuses with the music.
Rachel: We all met in Brighton. It's quite a creative place and I think inevitably it's going to affect things.
Daniel: I think it's more about the people you meet in Brighton, the pace of life and to actually live in it, more than the town itself. I mean, it's impossible not to be aware of your surroundings, and it'd be foolish to claim that it had no bearing on the music.

Tegan MB: I've never actually seen you guys live and, obviously your music is quite theatrical, so I was wondering if that was matched by your live performances? Also, if it is, do you ever worry that people might think you're taking yourself a bit too seriously? Is it, maybe, a bit tongue-in-cheek?
Daniel: Yeah, it is quite theatrical-
Thomas: It's not tongue-in-cheek though... (laughs)
Daniel: No, it's not. We do wonder whether people think we're taking ourselves too seriously.
We're not going to do it any other way. You can't hide because someone, somewhere, doesn't like what you're doing. I think it comes down to conviction. It's the same with anything; if you genuinely believe in what you're doing, and if you personally think that it's good and it's appropriate, then you don't really have to justify what you're doing to anyone else. The only time you have to justify what you're doing is when you don't believe in it, that's when you start to question it, I guess. We try to put on a show.
Rachael: We try to make it a bit more personal. The live shows we appreciate are the ones that are a bit more all-enveloping, you know, with the lighting, and with the whole atmosphere.

Tegan MB: Have there been any changes to the way you do things since you signed with Matador?
Rachel: Nothing drastic, more of a gradual progression really.
Thomas: We've gradually become better musicians, hopefully (laughs).
Daniel: We've been really lucky in that, even though we've been signed to a label like Matador, we're still able to continue with what we've always done. With every other release, we recorded the album at home. It gives us the opportunity to go to the studio to record the vocals; whereas we always recorded the vocals in my bathroom, which is not ideal. If you're trying to push an album across continents, you should probably have the vocals recorded somewhere other than a bathroom.

Tegan MB: I think part of the reason why you guys deserve the attention you've been getting is because you've been loyal to this original aesthetic. So I guess there's not much chance of you guys taking a massive new direction?
Rachel: I wouldn't rule out doing something that was a little more left-field. But I think if we did, it wouldn't be a conscious, “Right, let's change things suddenly”. I mean, if it happens, it happens.
Thomas: It will happen naturally because the moment you go about planning in advance, it becomes a really horrible, unnatural process. There's obviously a bit of short-term planning that goes into how we want things, but we don't want to think too far into the future.
Rachel: It's a much more organic process.
Daniel: Invariably with anyone, in any situation, you'll have a lot of ideas; it's usually the ones that are timed right that end up coming to fruition, rather than when you hold on to an idea for a long time hoping you'll eventually get a chance to do it.

Tegan MB: I think, in a way, your album seems quite controlled...
Daniel: I suppose they're different things, though. You control your output, always. You don't just want to let everything go; it's much better to have the quantity lower and the quality higher. I think the difference is thinking about what you're going to do and thinking about how you're going to present it; knowing which bits you think work best.
Thomas: They're two different things. The aesthetic's one thing, whereas the composition of the album is something totally different. And that is something we spend a lot of time over, because we know we want the album to work; we want the artwork to fit with the songs; we want everything to follow properly. But the aesthetic is something we don't pay much attention to. There was no great plan with that – it's just left to surround the album.

Tegan MB: I wanted to ask you about being short listed for the BBC Sound of 2011 poll. How helpful do you think those kinds of things are for a band, and also, as a kind of taste-maker for the public?
Rachel: Well, it's incredibly flattering to be on the list. We were totally surprised by that, we really, genuinely weren't expecting it. I think they're helpful for bringing attention to artists that might not necessarily get as much otherwise.
Daniel: It's been very useful for us in that an absolute shed-load of people who had no idea who we were until that happened-
Rachel: (Laughs) -who were probably thinking, “Why the hell were they on that list?”
Daniel: I worry that, in our situation anyway-
Rachel: It creates an expectation.
Daniel: It kind of makes people think, because of the company that we're in, that we're gonna be more... straight up. It feels odd sitting alongside Jessie J. That's not to say those people aren't great; it's just that I'm not sure it's a sphere that we ever thought we'd be in.
Thomas: It's better that people judge us for the records and the songs we've released, rather than just solely for our inclusion on that list.
Daniel: It's in human nature, basically, to want to make a list for everything. We like to itemise things and that's not going to stop, regardless of your views on it. I've picked up a lot of great stuff from end-of-year lists though; some of them are good (laughs).

Tegan MB: So what's next this year then?
Rachel: Well, the album comes out on the 31st of Jan, so we're going to be touring for that
Daniel: We're going to see how far afield we can play. We've got a gig coming up in Brighton too. We haven't played in Brighton for over a year, so it's going to be scary. It's different when you're playing in front of people who have no idea who you are. You can be a bit more confrontational, and really put everything into it. But it's different when there's a suspicion that you might be playing to a bunch of people you know.

Tegan MB: Do your families ever come to your gigs?
Rachel: They've been to a couple of shows in the past; not in Brighton, but they've been to a few.
Daniel: My father came to one and got very drunk off our rider, and was being very vocal during our set. But in a lovely way!

Words: Tegan Rogers

Thursday, 24 February 2011

Battles announce new album!

Battles are to release their long awaited follow up to Mirrored on June 6/7th.
Warp records this evening announced that the record is to be called 'Gloss Drop' and features collaborations from Yamantaka Eye, Matias Aguayo, Kazu Makino and Gary Numan. The tracklisting is this:

1. Africastle
2. Ice Cream (Featuring Matias Aguayo)
3. Futura
4. Inchworm
5. Wall Street
6. My Machines (Featuring Gary Numan)
7. Dominican Fade
8. Sweetie & Shag (Featuring Kazu Makino)
9. Toddler
10. Rolls Bayce
11. White Electric
12. Sundome (Featuring Yamantaka Eye)

Tripwires announce Debut Album

Tripwires have announced details of their debut album 'SPACEHOPPER' which will be released on CD and digital download via Club AC30 on 23rd May 2011.

The band will be touring with Does It Offend You Yeah through March and April including a London show at Heaven on 4th April.

Tripwires also headline The Lexington on 21st April.

Tracklisting is as follows:

1. Spacehopper
2. Positive Thinking
3. Shimmer
4. A Sunshine Overdose
5. Clusterfuck
6. Paint
7. Spring Snow
8. Catherine
9. I Feel Sick
10. Microphonic
11. Diet
12. Cinnamon
13. The Golden Age

Wednesday, 23 February 2011

Sufjan Stevens Announces First UK And European Tour In 5 Years

After last years critically acclaimed album ‘The Age of Adz’ we are very happy to be welcoming back mr Sufjan Stevens to our shores later this year to play a huge amount of shows all over Europe including two dates at the Royal Festival Hall and Brighton's The Great Escape.

European Dates:

29 April: Bergen Grieghallen / /
30 April: Oslo Folketeateret
1 May: Copenhagen Vega /
3 May: Stockholm Cirkus /
General sale: 25 February - / /
5 May: Warsaw Teatr Polski
6 May: Leipzig Centratheatre
7 May: Berlin Admiralspalast
9 May: Paris Olympia /
10 May: Brussels Cirque Royal /
On Sale 25 February
12 May: London Royal Festival Hall
General Sale: 2 March - / 0844 847 9911 /
13 May: London Royal Festival Hall (see above)
14 May: Brighton The Brighton Dome (presented by The Brighton Festival and The Great Escape) / 01273 709 709
16 May: Gateshead The Sage
General Sale: 25 February - / / 0844 811 0051
17 May: Dublin Olympia /
18 May: Dublin Olympia (see above)
19 May: Manchester Apollo
General Sale: 11AM 25 February - / 0844 811 0051
21 May: Eindhoven NL Muziekcentrum
22 May: Essen DE Colosseum Theatre
24 May : Ferrara, IT Teatro Comunale /
26 May: Barcelona Primavera Sound
27 May: Barcelona Primavera Sound
30 May: Porto PT Coliseum /
31 May: Lisbon Coliseum /

Deerhoof - Deerhoof Vs Evil (ATP)

Despite what I thought I knew about Deerhoof, which is admittedly very little, I was surprised with their latest. Deerhoof Vs Evil still contains what you would expect from this band; quirks, loops, squeaky fresh vocals and a general avant-garde energy, but it also offers something else.

Proving themselves as worthy technicians as well as musicians, Deerhoof worked every angle of the album, creating a singular vision of what they think it should sound like. The result feels raw, yet polished; a slice of garage rock with a twist of Deerhoof.

Despite the ranges in genre, the tracks are linked with a child-like innocence, both in lyrics, vocal delivery and song titles. Satomi Matsuzaki’s voice perfectly fits this aesthetic, always sounding sincere and playful in equal measure. Even when things get heavy, the band never sound anything less than fun, which is my biggest compliment. Deerhoof Vs Evil is the perfect summer record and I can’t wait to put it on whilst wearing my short shorts and sunglasses.

Album highlight, No One Asked To Dance is bittersweet and pretty. Stripped of electronics and led by a fast moving acoustic guitar, this is the black sheep of the album, sounding like nothing else. The song offers two minutes of sweet charm and emotion, giving the listener something to bite in to. In contrast, Secret Mobilization offers a slice of cool, sounding almost like soul, but with grimier guitars and a very heavy breakdown. These heavy breakdowns are a frequent Deerhoof fixture and they use them very cleverly, always giving the songs a rush adrenaline if needed. Album closer, Almost Everyone Almost Always has a spacey shoegaze sound, but ends rather abruptly. I was expecting an adventurous, even epic, end to the album, but was surprised by this modest, but enjoyable piece.

To describe Deerhoof Vs Evil as humble, may sound stupid, but it’s accurate. Songs never wander, instrumentals are lean and they say what they need to say without leaping too far into obscurity. Falling into their ‘twee pop’ side, the album is a reminder that art rock doesn’t have to be dull. In fact, having fun is the coolest thing in the world, so why not indulge?

Words : David Campion

Wild Beasts Announce New Album and Tour

It has to be said, after the huge success of 2009's Two Dancers, Wild Beasts new album entitled 'Smother' has to be one of the most hotly anticipated albums of the year and we here at Boop central can't wait.

Smother is released 9th of May and will be followed by a series of intimate shows.

Thu 5 May UK Newcastle Gateshead Old Town Hall
Fri 6 May UK Glasgow Oran Mor
Sun 8 May UK Leeds Brudenell Social Club
Mon 9 May UK Leicester Y Theatre
Wed 11 May UK London Wilton's Music Hall
Thurs 12 May UK London Wilton’s Music Hall
Fri 13 May UK Gloucester Guildhall
Sat 14 May UK Sheffield City Hall Grand Ballroom
Sat 6th Aug UK London Victoria Park – Field Day Festival

Sparkadia - Mary (The Royal Palms remix) Free Download

Sparkadia - Mary (The Royal Palms remix) by Anorak London

Gold Panda - 'Marriage' Video

Marriage from Gold Panda on Vimeo.

Monday, 21 February 2011

Cut Copy - 'Need You Now' video

Cut Copy will also bring their blinding live show to the UK on the following dates:

Thurs 3 March – Glasgow - Death Disco Special @ The Arches
Fri 4 March – Galway – Raddison (free outdoor festival)
Sat 5 March – Manchester – Now Wave @ Gorilla
Sun 6 March – London - The Forum

Queens Of The Stone Age to perform self titled album in full

Queens Of The Stone Age are to play a bunch of UK & European shows for May including London Roundhouse on May 17th where their amazingly brilliant eponymous debut album will be performed in its entirety.

These lucky cities will see them play the album:

02/05/11 Cologne - E-Werk (tickets from:

03/05/11 Brussels - Ancienne Belgique (tickets from:

04/05/11 Groningen – Oostersport (tickets from:

06/05/11 Stockholm – Cirkus (tickets from:

07/05/11 Oslo – Sentrum (tickets from:

08/05/11 Copenhagen - Vega (tickets from:

10/05/11 Munich – TonHalle (tickets from:

11/05/11 Zurich - Komplex 457 (tickets from:

12/05/11 Graz - Schlossberg Castle (tickets from:

14/05/11 Eindhoven – Effenaar (tickets from:

15/05/11 Amsterdam – Paradiso (tickets from:

17/05/11 London – Roundhouse (tickets from:

19/05/11 Dublin – Olympia (tickets from:

20/05/11 Glasgow – Academy (tickets from:

21/05/11 Manchester - Academy (tickets from:

23/05/11 Paris – Olympia (tickets from:

24/05/11 Antwerp - Trix (tickets from:

25/05/11 Strasbourg - La Laiterie (tickets from:

26/05/11 Dudingden - Kilbi (Festival) (tickets from:

28/05/11 Budapest - Petofi Hall (tickets from:

29/05/11 Prague - KC Vltavska (ticket link TBC)

30/05/11 Warsaw – Stodola (tickets from:

Tickets will go on sale this Friday.

J Mascis solo record and European shows.

J Mascis will play intimate European shows in support of his first ever solo album, ‘Several Shades of Why’. Mascis will perform at Cargo in London on April 14th, following the release of his new album through Sub Pop on March 14th.

Theres are the joints you can catch the Dinosaur Jr man

European Dates in April:

13th - Dublin, Whelans
14th - London, Cargo
16th - Paris, Point Ephemere
17th - Milan, Bloom
18th - Rome, Circolo degli Artisti
20th - Antwerp, Trix
21st - Amsterdam, Sugar Factory
22nd - Madrid, Moby Dick
23rd - Barcelona, La (2)

Also you can check out this hillarious video interview with Mascis.

Saturday, 19 February 2011

Field Day 06 August 2011

Hard to believe it’s mid February already isn’t it? Before we know it the summer and all it’s basking glory will be upon us. Here’s something else to look forward to... Field Day

This year’s line up looks to be just as good as last year, if not better :

Actress / Ariel Pinks’ Haunted Graffiti / Cocknbullkid / Ducktails/ Electrelane/ Factory Floor/ Gruff Rhys/ Hype Williams/ Jamie Woon / John Cale/ Konono No.1/ Mark Kozelek/ Matthew Dear/ Mount Kimbie/ Omar Souleyman/ Oneorthix/ Point Never/ Pearson Sound (Formerly Ramadanman)/ Roska/ Sun Ra Arkestra/ The Horrors/ Tortoise/ Trophy Wife/ Twin Shadow/ Wild Beasts/ Willy Mason plus many more T.B.A

Thursday, 17 February 2011

Love Inks: Debut single 'Blackeye' out March 28th

Check out Austin, Texas three-piece Love Inks. They will release their debut album this spring, but before that, their debut single 'Blackeye' is a highly infectious dreamy pop jem that will hit the streets on March 28th through Italian label Hell, Yes!

We'll bring you album details when they're announced, but in the meantime, you can check out 'Blackeye' below.

LOVE INKS "Blackeye" by HellYes

Thomas Tantrum 'Sleep' video - out March 27th

Here's the brand new video from Southampton's Thomas Tantrum.

Cut Copy - ‘Zonoscope’ (Modular)

In contrast to such inviting artwork, the first track seemed to offer a rather vanilla introduction to Cut Copy’s new album, Zonoscope. However, this Aussie group go on to unleash the sweetness, syrups and sprinkles to deliver a knickerbocker glory of tunes for their third album.

Fans of their previous material will be hooked from the start, as this album follows their last, ‘In Ghost Colours’ with bright eyes. Whilst they maintain their symbolic electro beats all the way through ‘Zonoscope’, it is the slightly tamer tracks that make it stand out from the previous. Each song flutters between extreme genres of the ‘80s; dashing their iconic synth pulse with shoe-gaze sounds it is a promising mix that is comparable to a LCD Sound system Jesus and Mary Chain mash-up. It is an unlikely unison that Cut Copy execute well.

Though old fans may enjoy, it is plausible to think that following this record, 2011 will offer up even more to this band. The album puts forward the bouncing energy of what bought them to fame, flirting with other eras and sounds that will be sure to land them a few more fans this year.

The highlight of ‘Zonoscope, for me, was the third track, ‘Where I’m Going, which standouts out on the album for its sprightly, ‘60s pop melody. It seems that even the lyrics reflect this- ‘all you need is a dream and a lover too’.
Despite this, it is arguable that some of the tunes within the album lack originality within the music itself; there are moments that are suspiciously similar to known songs from the past. Having said this, it is a common occurrence which is seen from many artists, and therefore perhaps a dismissible flaw. On a whole, the album comes together nicely, offering you something that is familiar to the ears, yet tickles the brain.

‘Zonoscope’ concludes with Sun God, an epic fifteen-minute track that is as versatile to be suited for a warm summer day with your friends, or a long and dirty night out. It is fair to say that Cut Copy, have grown from their initial style, maybe only very slightly, managing to cultivate their sound, and with a hint of something colourful.

By L. E. Dee Robson

Brown Recluse - Evening Tapestry (Slumberland)

Psychadelic pop is an oddly beautiful form of music that can split into two possible disparate directions; either wonderfully jaunty 60s pop rock or spiralling, swirling freak-out psych alongThe Flaming Lips line of outlandishness. Brown Recluse are a five piece from Philadelphia who combine a little of the two approaches to this uniquely exhilarating genre of pop music to forge a decadently luxurious sunny sound on their latest effort 'Evening Tapestry'.

Ambient, mystical sound swells in the first moments of opening track 'Hobble To Your Tomb', before a sweetly sung slice of indie pop (albeit interlaced with whirring, child-like electronics) grasps hold and leads you on a merry-go-round of jaunt and joy. The aforementioned introduction is somewhat subdued compared to the majority of a record that prefers to sit in a memory of sunshine rather than the bite of winter, recalling a Beach Boys for the 21st century, full of surf rock guitar patches and buoyantly beating percussion.

There are sparkling spots of sonic sunshine scattered throughout the record, evident in the likes of 'Summer Showers', a track that starts life with the quaintly serene vocals of Timothy Meskers. He possesses a rarely found softness and deftness in his vocal meandering, sauntering up and down scales with utter ease, drifting into dream territory with a bittersweet air and aura. 'Beautiful Light' is a stopgap in the midst of the album that highlights the blatant and bold comparisons between Brown Recluse and the 60s psych bands, who utilised classical composure to craft loving pop songs that toyed with the ideas of harmony to update and renovate pop music for a new youth suddenly gripped by rock and roll fever.

I am not quite sure if we are in anything comparable to this in 2011; rather true rock music is something that has been twisted, turned, transformed and trampled on so many times, people have been turning to electronics, computers and warped representations of rock to satisfy the primal urge that kick-started when Elvis started shaking his hips on stage (of course, it all started back with the blues but, for white, mainstream America, Elvis was basically Satan with a quiff). Similar to such luminaries (and obvious influences) as The Zombies and Phil Spector, they keep the length of their musical manifestations down to around the three minute mark; this is the tried and tested rule of gripping pop music and the half hour running time of the record, though brief, surely does flutter by in the blink of a lazy, daydreaming eye.

As the record winds down, after another jingling gallop in 'At Last', we find a lounge-like quality in amidst the psychosis, reflecting a sound that resembles The Shins on acid; all glimmering radiance with an underlying pensiveness in the retreating rhythm of 'Paisley Tears'. The finale bookends the tale of an Evening Tapestry with 'March To Your Tomb', a more defiant approach to heading towards the grave as folk-led riffs, a surprisingly effective dash of organ and the baroque pop vocals map out the longest track so far, perhaps allowing the band to play themselves out in an oodling manner; carefree yet concise, and with a sense that this is the end of their tale (for now) and that someone, somewhere, will live happily ever after.

Words : Adam Parker

Tuesday, 15 February 2011

Foo Fighters - 'White Limo' video

This could be just about the best thing the Foo's have done in years.

Autechre to release 'EPs 1991-1992' on April 11th

Warp Records will release Autechre’s ‘EPs 1991 – 2002’ on 11th April 2011.

This 47 track collection brings together material from the bands EP releases (now mostly out of print) from between these years.

For more details on these releases and details on how to buy, check out the link from the excellent BLEEP website.

Radiohead New Album!

Ok so by now everyone in the world probably already knows about this but we thought we would announce it anyway. The fantastic Radiohead are to release their new album entitled 'The King Of Limbs' this Saturday, basically without any pr or leaks, it's just going to be there.

Monday, 14 February 2011

J Mascis announces first ever solo album and free download!

With ‘Several Shades of Why,’ Mr Masicis' first foray into the world of the solo album, he has worked well to strip everything down and release an album full of catchy acoustic numbers.

See for yourself with this free download of 'Is It Done’

‘Several Shades of Why’ is released on February 28th.

Vivian Girls - "I Heard You Say" Video

Super Receptor Presents: Iceage

Middle Boop has teamed up with the fantastic music Blog Super Receptor run by Mr Al English of Youthmovies fame in bringing you news of some of the best bands that, basically even we at Boop towers haven't heard of yet. Go forth and discover.

If January has you on auto-pilot then Copenhagen’s Iceage should snap you out of it like a stubbed toe.

Though their ages should be irreverent the fact that these four Danes are making such excellent noise in their teens marks them as talented as The Murder Of Rosa Luxemburg at their prime.

The music sits somewhere between DC hardcore and British punk but filtered via weirdness. The songs are all velocity but skewed and prone to shoot off at unexpected angles.

Their debut album New Brigade is available on Dais in the US and Escho in Denmark.

Asobi Seksu - Fluorescence (Polyvinyl)

NYC two-piece Asobi Seksu make prettily archetypal shoegaze songs ( I was going to say nu-gaze but it makes me want to barf) made atypical with schizophrenic vocals and playful eighties electronica. They are easily comparable to My Bloody Valentine with their sloping upbeat intros, and Yuki Chikudate’s warbling, echoed vocal instantly exposes her to be a Cocteau Twins fan. These observations come easily with most ‘dream pop’ releases, but there are stronger links here to the pop than the dream. Although Fluorescence is as hazy and mellow as a sunny afternoon spent on mushrooms, the gossamer-thin atmosphere of the album floats around a core of strong, catchy pop music. A strong resemblance to Strawberry Switchblade and Saturdays=Youth era M83 makes this release stand alone as something with more substance than many of the dreamy, layered, effect heavy, releases that are bound to flood the indie charts this year.

Coming up is aptly named, there is a youthful 80s exuberance to the track which would fit nicely amongst Psychedelic Furs and Simple Minds in a John Hughes movie. Trails has some pretty impressive operatic-style vocal gymnastics.Perfectly crystal took me back to my teenage bedroom, the wispy vocals echo like a memory, and secures it as a track to come back to time and again. Love Will Tear Us Apart drums and guitar feature on clanging cacophony of a track, Leave The drummer Out There. The album is varied and not afraid to take chances, and some of the best parts of Fluorescence are where guitarist James Hanna experiments with a more joyful sound, and Chikudate turns her hand to singing in Japanese. Sigh sees high pitched little-girl vocals turn into womanly ooh-ing, and erratic keys become scratchy Johnny Greenwood guitars. It is a trilling pop hit, in the vein of Arcade Fire, and it’s fabulous. Moreover,Trance Out, with its punky J-Pop intro and danceable melodies shows the versatility the band is capable of. Some tracks are a little draining, and seem to go nowhere (Counterglow, Ocean) but overall, this release is a delight to behold. Come February 14th I will be eschewing the purchase of chocolates or soft toys and spending my money on the clear pink vinyl edition (available for pre-order through their MySpace page), and I suggest you do the same.

Words : Maya Boustany

Sunday, 13 February 2011

Dignan Porch to release new EP on March 8th

From Tooting in South London. Dignan Porch have announced details of their new EP titled 'Deluded' which is due for release March 8th, on Captured Tracks records.

Artwork is displayed above and the tracklisting is as follows:

1. Flame (Intro)
2. Yards
3. Like It Was Again
4. Stream
5. I'm A Saint
6. I Threw Myself From Tower Bridge
7. Footsteps in the Snow
8. Surge

Dignan Porch's garagy fuzzy tones are well worth checking out live too, and you can catch them at a couple of shows in the near future at

February 27th - Old Blue Last, London
March 21st - The Hope, Brighton

The Megaphonic Thrift announce London show

The Megaphonic Thrift announce a London show to celebrate the re-release of their debut album 'Decay Decoy' out on 21st February. The band will play at The Barfly in London on Friday 12th March.

Friday, 11 February 2011